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Наслаждайтесь просмотром! Труд прокладывает дорогу будущему! Popular this week. Customer support team. Please, retry later. This person does not have the access to this photo.

In order to tag a person, hover over his photo and press left mouse button Left-click on a photo to tag people in it. Comment 0. GrigorievaT. MitinaT. One of the few articles that are not only about an onscreen but also about a media image of flirting with forty watch online movie free english movie teacher belongs to A.

Machenin By the way, both A. Machenin and N. Shipulina and some others, in our opinion, rightly point out that beginning from the s — s one can feel flirting with forty watch online movie free english movie significant decline of the social and moral status of the teacher on the screen.

Anyway, we failed to find any meaningful analysis of school and university in Soviet and post-Soviet audiovisual media in Western research works during our survey on the topic; though, of course, they studied the image of school and university in Western audiovisual media texts, mainly in the cinema Ayers, ; Bauer, ; Burbach and Figgins, ; Considine, ; Dalton. Let us give a generalized hermeneutic analysis of Soviet films about school and university with the help of technologies suggested by C.

Bazalgette Bazalgette, and U. For this purpose we will roughly divide Soviet films about school and university into the following groups: It stands to reason that these timeframes of the periods, in our opinion, cannot be precisely defined; the same goes with attaching films to a certain period.

A relative creative freedom amid the ideological censorship in culture and arts enabled Soviet artists, writers, photographers, theatre workers and film-makers to carry out radical experiments with the form. Due flirting with forty watch online movie free english movie this relative freedom hundreds of western entertainment films were widely shown during the NEP years.

The new economic policy in the USSR led to the establishment of incorporated, cooperative film companies, and in the s the Soviet film industry actually worked in a competitive market that revived genre commercial film making.

It goes without saying, the political and sociocultural conditions, events that contributed to the plot and film production of Soviet films of the s could not but influence films about children and for children. Hence, for example, there were produced films about exploits of teenagers during the civil war, about homeless children and pioneers, about eradication of illiteracy and so on Red Devils, ; Vanka — a Young Pioneer, ; The Island of Young Pioneers, ; Golden Honey, ; Small and Big, ; Torn Sleeves, ; Tanka — the Bar Girl,et al.

How the knowledge of real historic events of a given period promotes awareness of these media texts, examples of historical allusions in these media texts. There were a lot of films about children in particular, about homeless children in the s in contrast with films about school and university — there were about a dozen of them.

Sociocultural, ideological, worldview, religious contexts Ideology, world outlook of these media texts authors in the sociocultural context; ideology and world culture reflected in the media texts. The communist ideology in the USSR failed to attain its objective in the s since the new economic policy prevented complete state regulation and total censorship of film making as well as of culture in general.

The world outlook of people in Soviet silent films about school was entirely optimistic: The value hierarchy in this worldview was: Adherence to such values used to be the basic stereotype of success. Such values in the cinema were not only to be reflected but also impressed, formed and strengthened.

Structure and narrative devices in these media texts The structure, plot, flirting with forty watch online movie free english movie, ethics, genre modification, iconography, characters can be roughly presented as follows: Venue and period of media texts The setting of the media texts: And even films about school did not focus on studies but on the vigorous pioneer and Komsomol activity.

Household goods and нажмите чтобы узнать больше conditions: Genre modifications: Devices of reality representation: Typology of characters: Their parents have various professions.

Photos of the s give us a glimpse of the appearance, clothes and constitution of Flirting with forty watch online movie free english movie school students and teachers of that time. And if there were characters who showed negative traits, they changed for the better flirting with forty watch online movie free english movie the end… Significant changes in the lives of the characters: Problem encountered by the character: As for teachers in the films, they used to be portrayed: Naturally, there were also teachers-enemies in the films of the s.

Soviet films about school and university of the Stalin era and the first post-Stalin flirting with forty watch online movie free english movie Venue; historical, sociocultural, political and ideological contexts Historical background of media texts, market conditions that contributed to the plot and creation of the media texts, impact of that time events on the media texts.

The greater part of this historic period coincides with the peak of the Stalin totalitarian era of the socialist regime national domain, the communist party and its ideology, I. The period of forcible collectivization of private peasant farms was followed by the famine which claimed the lives of 7 million people Statement…, The second half of the s was marked by mass repressions which affected as many as 4 million people, about a million of whom were shot Roginsky, The Great Patriotic War of was the most serious test for Soviet people that took the lives of tens of millions of people.

Gorky film studio. And though they were primarily intended for children and youth, the topic of school was not major there. It goes without saying, that the political and sociocultural conditions, events contributed to the plot and creation of these films, dictated their rules. Good school children were always on the side of Bolsheviks while worse students they still appeared on the screen either improved страница the end or were duly punished.

For obvious reasons the Soviet films of the s — s did not even mention the terrible famine ofmass repressions and concentration camps, but they contained a lot of revolutionary politics, spies and collectivism ideas in them. Grammar school students carried bullets in по этой ссылке school bags to Bolsheviks in the film The Lonely White Sail A teenage gypsy in the film Friends from a Gipsy Camp behaved in the same way.

Courageous kids helped the Soviet border patrol in the film Ai-Gul The spy film Gaitchy told about a pioneer who also assisted frontier guards: The film High Award related a story about a spy who infiltrated under a mask of a clown into a country house of a Soviet aircraft designer where his children were spending their vacation. The film The Train to Moscow showed children who prevented a train crash.

In the film Captain Varya a girl rescued a lighthouse-keeper. The topic of school was not mentioned in the trilogy by M. We share the view of N. Other Soviet film studios also made films about children and school during this period, though it did not make any difference, since there were very few such films. If it was scarcely mentioned it was given little screen time, and the episodes connected with school served as some background of the plot as in the unissued film Father and Son by M.

The unsuccessful films Class Seven адрес Y. Protazanov and Personal File by A. Arcus gives the following reasons for that: This conception seems weak to us due flirting with forty watch online movie free english movie the following reasons: For example, in the film The Red Scarf a brother and a sister study in different schools — for male and female students, whereas in the film Alesha Ptitsyn Develops his Character flirting with forty watch online movie free english movie main character, who learns that a woman-trainee would teach them a lesson, reacts so: And his classmate agrees приведу ссылку him: Sociocultural, ideological, worldview, religious contexts Ideology, world outlook of these media texts authors in the sociocultural context; ideology, world culture reflected in the media texts.

The dominant communist ideology, total government control and strict film censorship of the Stalin era took away приведу ссылку choice from film makers: The so-called socialist realism dominated in the Soviet culture of the s — the first half of the s, which certainly involved films about school.

Undoubtedly, the socialist realism had nothing in common with genuine realism; it was more like an idealism created according to the official political dogmas of that time. School students were united into a successful and happy collective body guided by wise tutors teachers, parents, party officialsable to shape their own destiny, i.

Adherence to such values used to be the basic stereotype of success in that screen world. Such values, attitudes and conduct in the cinema were not only to be reflected but also impressed, formed and strengthened. These values were constant throughout the film action. If a student temporarily betrayed these values, he successfully returned to them at the end of the film.

Venue and period of media texts. The scene in the films made in the s — the first half of the s about school is laid in school classrooms, corridors, courtyards and flats, and the time in the film coincides with the time when the film was released. For example, the film The First Grader shows the beginning of the new school year: Stereotype devices of reality representation: As for negative characters boastful, deceitful, etc.

By the second half of the s the Soviet screen presented a super positive image of the teacher and educator which was approved and respected by the government honors, diplomas and other awards and the whole society. The old image was to legitimatize the Soviet one due to their common past. A frame from the film The Village Teacher At the same time the Soviet cinematograph remembered to criticize the school and teachers of the czarist flirting with forty watch online movie free english movie. The films The Conduit and Man in a Case presented negative images of grammar school teachers: Significant changes in the lives of the characters: There were also but very rare worse variants when a school student commits https://amfu.gitlab.io/balance/flirting-memes-with-men-pictures-free-kids-pictures-2444.html theft of school property Personal File, Solution to the problem: Seemingly, university at that time was considered to be a too elite institution to be worthy of mass replicating on the screen.

Thus, the hermeneutic analysis of media texts about school and university of the s — the first half of the s enables us to draw the conclusion that the Soviet cinematography based on the communist ideology: Soviet films about school and university of the "thaw" period The "thaw" in the USSR quite significantly changed media interpretations of school and university.

As for the schools - flirting with forty watch online movie free english movie meant democracy elements in the educational process, a certain, albeit constrained by ideology, creative freedom of teachers and students. Prokhorov aptly notes, films about school in the s reflected the general spirit of the flirting with forty watch online movie free english movie utopianism Prokhorov, In this context, it is interesting to compare two films of the s depicting schools of the s: Beat, the Drum!

The second one, on the contrary, also somewhat naively, but sincerely asserts the possibility of integration of the best representatives of the pre- revolutionary intelligentsia the principal of school for orphans named after Dostoevsky — Viktor Nikolayevich Sorokin, flirting anime characters list VikNikSor in the process of creating a new school. VikNikSor in the filigree performance by S.

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Jursky is "a great idealist and utopian. VikNikSor believes that a person is unique, and the collective of unique people can be an association of creative individuals who do not have to give up themselves and freedom to be together" Arcus, Both films were shot in black and white for a reason, so that the image on the screen reminded viewers of the surviving chronicles of the s.

Flirting with forty watch online movie free english movie, against the mediocre visual background of Beat, the Drum! Equally extraordinary was the film montage. As for the use of black and white picture in films depicting schools, in our opinion, it was not always justified.

Of course, the intention of the authors of Beat, the Drum! But what drove a director to choose to film in black and white a merry satirical comedy "Welcome, or No Trespassing!

Apparently, there are good reasons flirting with forty watch online movie free english movie in the XXI century with the help of computer processing I think, without any damage to the artistic expressioncolor versions of the popular films were created - Spring flirting with forty watch online movie free english movie the Riverside Street and Come Tomorrow Presumably, Soviet cinematographers of the s were too susceptible to the fashion for the black-and-white stylistics of the French "new wave" and "cinema-verite", believing that modern films about schoolchildren should be as close as possible to the "chronicle" image.

Two conflicts unfold concurrently: In the course of the film viewers see obvious signs of a deficit of socialist times: However, conflicts are resolved by the end of the film: Notably, before this promise he utters a lofty monologue: But without communism I will not live! And without the Komsomol I can not live! Most likely, this phrase appeared in the film as a reaction of scriptwriters to the adoption by the 22nd CPSU Congress of the Charter of the CPSU, including the Moral Code of the builder of communism, whose material base was promised to be created by By the way, the rhetoric about communism in the thaw films depicting education system underwent a curious transformation.

While in the picture Mishka, Serega and I these words sound quite seriously, and the drama about parents and children Big and Small ends with pretentious narrative comment: Was I a communist in my family life? Are you ready to live and work in communism? Do you want a million? Flirting with forty watch online movie free english movie, in our opinion, very accurately noticed the characteristic feature of the thaw period films about schoolchildren: For example, in the film My friend, Kolka!

There is a boy standing out of the crowd, Kolka Snegirev. But this time he is not a renegade and egoist, but on the contrary — a bright individuality, an artist, a man who searches for truth, and not a form, for real, not imaginary.

He requires breathing from life, and sincerity from the people. He is clearly loved by authors and spectators. His class wants to help him, get over troubles - but flirting heather locklear worth photos today the intention to change him, to assimilate with others.

They like him the way he is. The truth is, the film did not escape from some treacle, especially in a touchingly happy ending, when Kolka, the founder of the SSoCS Secret Society of С-Studentsdeftly defeats carnapers and deserves the gratitude of the police and a vigorous pioneer song of classmates.

Non-standard students with strong personality and subtle inner world were the main characters in many other school films of the читать больше Wild Dog DingoCall, open the doorI loved you The cinema images of Soviet teachers changed in the thaw period, too. Very important in this respect is the image of a school teacher from the melodrama Spring in the Riverside Street Actually, the authors of the film made sure that there was nothing shocking in this situation: Despite нажмите сюда lyrical melodrama of this story, it contained a kind of ideological overtone: And the main character — the teacher of the evening school Tatiana — is so young and inexperienced, that is really likely to fall in love with a charming Sasha, her, so-to-speak, "mentor" from the working class.

In the earlier mentioned film My Friend, Kolka! A conservative is the teacher Lydia Mikhailovna. In fact, she and a chairman of the pioneer council Valera Novikov "could become the ideal heroes for films in the previous decades. But Lydia Mikhailovna and Valera Novikov are not portrayed as ideal carriers of collective wisdom" Artemieva,p.

Liberal vs.

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In particular, in the drama Trains Go by the Windowsthe headmaster of a provincial boarding school, remarkably flirting with forty watch online movie free english movie by L.

Krugly, at first seems to be a positive democrat moovie a wise mentor for children and teens, while flirting with forty watch online movie free english movie traditional duo of a conservative middle aged school teacher and a young flirfing a recent graduate of witu university unfolds along.

However, gradually, the image of the ironic headmaster gives away the authoritarian features of a tough, soulless manager, and he turns out to be much more dangerous for a young heroine than explicit dating.com video download online games without. Seemingly an outspoken conservative and a negative character in the satirical comedy Welcome, or No Trespassing!

Evstigneev, is also not so straightforward: Ideologically brought firting Maria Pavlovna is certainly very flirtign Thus, due to her interference, relationships of Ksenia and Boris englisj being discussed by school faculty, their classmates, parents, and neighbours.

Today the conflict of the film by Y. However in things were different. The problem of the first teenage love, that fell under the social pressure, was discussed earnestly in almost all press. In a word, this film had about the same resonance in the s, as Little Vera in the end of the s. In the s the love language was slowly rehabilitated, but the sex language only remains to exist within medical or obscene vocabularies.

The engpish period film criticism followed the same route" Romanova,p. As a result, the film scene of intimacy between Boris and Ksenia was cut shorter and voiced over. Black-and-white visual picture distinctly portrays gloomy ill-provision, as though borrowed from the famous black sequence of Polish cinema of the late s: Moreover, it turns out that a lot of secondary film characters are united not because of mutual positive values, but because of their desire to hurt the feelings of vulnerable teens in love.

Surprisingly, a melodrama Story of the First Fgeeproduced 4 years earlier, did not give rise to such censorship flirting with forty watch online movie free english movie, although it contained such plot twists that in our opinion, could have shocked the chaste Soviet public: One has to agree that no Soviet film about school until the s depicted anything like the second and the third point.

However, unlike Y.

Osmolovskaya was 19, K. Stolyarov — 20, and V. Zemlyanikin — Arcus accurately points out that a Mlvie teacher Melnikov in this drama is a kind of a white crow, an outsider: There are a lot of close-ups in адрес страницы film, and one can write a book about the ways Tikhonov watches.

The way he looks at his students: He watches his whole class at the end of the film having a presentiment of what is going to happen to each of them, and being aware that nothing flirting with forty watch online movie free english movie be changes. The main colour of his portrait is ash fatigue" Arcus, This having no alternative weariness explains why a bachelor Melnikov is not in a hurry to return affection of a pretty English teacher, why movue spite of his intense longing for a different job, he continues teaching History lessons, subjected to political climate.

He looked at school as if from the outside, and he taught a lesson as though it was his first day in class and he came across the emotional deafness нажмите для деталей pupils for the first time" Soloveichik, Though his main pedagogical opponent, a Literature teacher Svetlana Mikhailovna is "limited, teaches her subject "from here to here", dryasdust, self righteous, and avidly follows instructions, apart flirting with forty watch online movie free english movie other film teachers in the past, she has neither jolly enthusiasm, nor fanaticism.

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Only loneliness and again, fatigue" Arcus, Nevertheless, the major "thaw" school film, in the allegoric form having depicted the bureaucratic model of the authoritarian Soviet state, was a bold comedy Welcome, or no Trespassing! Klimov based on the script by S. Lungin and I. Perhaps we can agree with the opinion that the main englosh in the film is an oxymoron, a combination of the incongruous: The word "or" allows one to assume a choice between both parts of the name, and equate them with the meaning "that is" Fedorova,p.

Soviet censorship, of course, went through this film of E. Klimov with his unwavering ideological hand, but did not succeed in deciphering the essence of the satirical film text to the full extent. For example, many scenes of E. Unlike the period of the s — early s, the Soviet cinema of the "thaw" era increasingly touched upon the subject of university.

In the films Different FatesThe City lights up and Peersthe theme of the university played flirting with forty watch online movie free english movie marginal role. In the melodrama They met on the Wacth — is was the key one.

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The girl who successfully entered the pedagogical college gives a helping onkine to the worker who failed the entrance exams, as a result, the young tutor and her student fall in love with each other, and the latter, of course, becomes a successful student next year. In between, a cute career-centered student deserves public condemnation, and a gray-bearded "old school" professor sings songs mocie with his students.

In the popular musical comedy Come Flirting with forty watch online movie free english movie a provincial girl Watcy, thanks to innate vocal abilities, enters the conservatory and, despite all sorts of obstacles and absurdities, eventually becomes a favorite of a wise teacher. A film with such a simple story and with such a heroine could have also appeared in the late s, s, and even in the s. Another film about students is 1, Newton Street It also tells a story of a provincial guy who enters a university in the capital, but in the genre of a drama.

Student Timothy faces a serious life test: A weak onlibe begs Timofey not to tell anyone about this, but he rejects this flirting with forty watch online movie free english movie proposal and leaves for his fort, where, he works on a new version of scientific work. Perhaps, there are no particular hallmarks of the thaw period.

The main читать полностью of this historical period: The obligatory education was 8 years.

An year program incorporating vocational two days a week as well as academic training replaced the traditional ten-year primary and secondary general school. By all seven-year-schools were turned into eight-year schools.

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However, по этому сообщению soon became clear that fliritng of labor training had a negative effect: That is why, in Septemberthe Soviet school returned to a ten year program again, and the idea of professional training within the school curriculum, was left behind.

Table 1. Key dates and events in the USSR and the world in the "thaw" period February April June The cancellation of tuition fees in the senior classes of secondary school, as well as in secondary special and higher educational institutions of the USSR: The Hungarian Revolution: October 23 — November 9. The Suez crisis in Egypt: October 30 — December Malenkov, V.

Molotov, Flirting with forty watch online movie free english movie. Kaganovich, D. World Festival of Youth and Students in Moscow: July August A test of the forrty Soviet intercontinental ballistic missile capable of reaching the territory of the United States. October - November. The publication in the western countries of the novel by B.

Pasternak Doctor Zhivago: Exhibition of American abstractionists in Moscow. The opening of the flirting with forty watch online movie free english movie of V.

Mayakovsky in Moscow, flirtng poets freely performed: The award of the Nobel Prize for Literature to Boris Pasternak - "For significant achievements in contemporary lyrical poetry, as well as for the continuation of knline traditions of the great Russian epic novel" Doctor Zhivago.

October December January 1. January Flirting with forty watch online movie free english movie 27 - February 5. Mivie of the American exhibition in Moscow: July August Negotiations between Nikita Khrushchev and D. Eisenhower in the United States: September January 9.

The U. Powers is shot down: May 1. May 4. November 1. Kennedy, related to the the anti-Castro landing in Cuba: April 8. The beginning of the construction of the Berlin Wall: June 1. The demonstration of Novocherkassk workers who protested the increase for food prices is dispersed by gunfire: June 2. After the start of the installation of Soviet missiles in Cuba, the US declares a sea blockade of moie island. October fotry - November December 1. March May 9. The assassination of the US President J.

Kennedy in Dallas: November February 3. The US starts onljne war in Vietnam: August 2. Leonov, leaving his spacecraft for 12 minutes, becomes the first person to walk in space: April 5. March 29 - April 8. June 20 - July 1.

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Resolution of the Central Committee of the CPSU "On measures for the further development of social sciences and enhancing their role in communist construction": The invasion of Soviet troops in Czechoslovakia: The publication of A. Soviet "thaw" audiovisual texts on the subject of school and university, according to жмите сюда authorities, were supposed to support the main lines of the then state policy in the educational and socio-cultural spheres, that is, to show flirting with forty watch online movie free english movie the Soviet system of education, upbringing and culture is being reformed, and namely: Genre modifications of ссылка на подробности and university subjects: How does the knowledge of true historical events of a particular period help to understand the given media texts, examples of historical references in these media texts.

In the films Flags on the TowersBeat, the Drum! Makarenko, V. Soroka- Rosinsky, etc. The films Clouds over BorskMiraculousSinful Angelconsistently reflected the anti- religious state policy.

The films Welcome, or No Trespassing! In the Soviet films of the "thaw" period, schoolchildren, of course, could be featured sitting in meetings, condemning источник for misconduct for instance, religiosity or laziness.

At the same time, schoolchildren unlike their film counterparts in the s and s no longer appeared on the screen as some sort of conductors of the communist tomorrow, leading the lost adults on the right track.

Filmmaking was also under censorship albeit https://amfu.gitlab.io/balance/flirting-quotes-to-girls-without-parents-movie-full-5899.html strict than in the s and s. Therefore the authors of the majority of audiovisual нетерпением.

dating games sim girls full online full обсуждать texts on the school-university theme were to comply with these rules of the game. In fact, in some films such as, Welcome, or No Trespassing! Film viewers who anticipated to watch another innocent drama soon began to feel uncomfortable.

They could not help feeling that though everything seemed to be clear and correct in the film, yet something was wrong, something was subtly annoying and makes the perception unsettled Kovalov,p. The world outlook of the flirting with forty watch online movie free english movie in media texts about school In general, the worldview of the characters of audiovisual media texts on the theme of school and university during the thaw, as in the previous three decades, was optimistic, at that time the optimism was connected with the prospects of building "socialism with a human face".

Students -vivid personalities were often ridden by doubts Wild Dog Dingo, I loved you At first glance, the hierarchy of values, according to this world view, has remained the same: But there were also new colors: For example, a school teacher from the witty comedy "Literature Lesson" not only openly dislikes his randomly chosen profession, but sets himself the task of living for at least one day Thus, it was the model of "socialism with a human face," rather than classical communist ideals, that determined the world view of the characters in the audiovisual "school world" of the thaw period.

Structure and narrative modes in media texts Schematically, the structure, plot, representativeness, ethics, genre modifications, iconography, characters of audiovisual media texts about school flirting with forty watch online movie free english movie university in "thaw" period can be presented as follows: It is very indicative that in Soviet films on the school topic in many cases "there is no private space for a teenager — his room.

Most often because of its actual absence due to the poor housing situation in the country, but even when the room is there, nothing there characterizes the owner.

The same reason is why a fashionably dressed character is almost always negative" Zharikova,p. However, relapses, of course, are possible. For example, in the professionally helpless Boysa cheesy teacher brings to the class a model of the space satellite, thus causing a sensation in the class only consisting of diligent and perfect schoolchildren.

And in the detective story Shadows of an Old Castlea super-positive teacher who instantly finds contact with schoolchildren takes a job in an Estonian boarding school located in an ancient castle, very soon finds out that the key faculty members presented rather grotesquely are former Nazis and treacherous enemies of Soviet power.

Character typology: The age of the adult characters teachers, parents, grandparents, etc. The professions of their parents are in a fairly diverse range. However, more and more often negative characters appear, the hopes for reformation of whom are not as big as they used to be. Teachers from the films of the early thaw period look similar to those in the s and s: They look more like a uniform: Classical hairdo for a female teacher is a hair bun Tatiana Sergeevna a flirting with forty watch online movie free english movie from the film Spring in the Riverside Street — A.

Late thaw film teachers are no longer perceived by unambiguous symbols of the struggle for communism, they have lost an ideal halo, and more often they are in doubts, discontent with their life. Another serious, symptomatic for modern culture as flirting with forty watch online movie free english movie whole, a social problem, articulated by Soviet cinema, is a social gap decrease between a teacher and a student Shipulina, Negative image of school and teachers of the "tsarist regime" in the thaw period occupied a marginal place in Soviet cinema The First Bastille, A significant change in the life of media characters: The challenge that the characters face: Solving the problem: These audiovisual texts, according to the authorities, were supposed to support the main state policy in the educational and socio-cultural spheres, that is, to show that the Soviet system of education, upbringing and culture is being reformed: The early thaw stage was characterized by a romantic reliance on the pedagogical experience of the revolutionary Soviet pedagogy of the s and the creation of touching lyrical stories, where, despite minor difficulties, the harmony of good teachers and, at first, stumbling but in the end, good students, won.

During the second stage of the thaw, new tendencies were manifested increasingly frequent: About twenty years ago the teacher on the screen was a wise role model, a fair mentor.

But in the movie Cross the Thresholda high school student with advanced mathematical abilities, not in the least afraid of the wrathful reaction of the teacher, openly declares: I hope to find a better use for my abilities You had not thought that you would end up in school, I hope that I manage to avoid such a fate". Thus, as Literature Подробнее на этой страницеthat was "shelved", i.

Taratorkin did not hesitate to admit that he entered a pedagogical university because of the fear of failing more complicated examinations at technical university. An English teacher, performed by M.

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Bulgakova looked old-fashioned, deliberately communistically engaged elderly idealist, with fragile health damaged by stressful work. He has a small two room flat, an aging wife, a chronic time trouble and a face of the man who forgot when he had last looked at himself in the mirror Arcus, Such a teacher, certainly, did not make the young audience willing to take up the burden of the увидеть больше profession.

In the brilliant performance of Oleg Borisov, the audience saw a person who has already denied himself the right to drama. A man who no longer charges life, time, or people — he only hopes to pay his dues.

He does not feel himself a hero, he fulfills his duties. This is a quiet standing of the intellectual in the face of a deceitful era Arcus, The principal is bitterly questioned by his own son: Look at yourself, what are you? Flirting with forty watch online movie free english movie then, with sarcasm, she adds: It seems that the authors flirting with forty watch online movie free english movie the drama The Follower were going to argue with such a pessimistic stance, making a film about the high destiny of the teacher, the noble beauty of his work, the continuity of the pedagogical occupation.

Another variation of the return of the prodigal son is played on the screen. There is something about the story of temptation and return for lots of filmmakers.

Perhaps, because it allows to show a person at the turning points of life, to look deeper and more closely into his character. In The Follower at first it seems that the traditional plot scheme will be filled with deep meaning. There is neither an odd one out scene, nor an accidental detail, everything is carefully thought out - from the texture of the interiors to the costumes of the characters.

If a small orphan Valya in the severe post-war years steals a pen from an old teacher Rusov, then a passing truck, by will of fate, will necessarily bring the boy to that wooden house from which he has just escaped.

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If an old Rusov adopts Valya, Rusov, Jr. Even an occasional meeting with a chauffeur has not been spared. In about twenty years, in some incomprehensible way, he will find Valentin Rusov in the ministerial office and ask him to sell a house in gorty remote town of Kandaurovka. This deliberate, circular plot sometimes loses the breath of real на этой странице. The flirting with forty watch online movie free english movie and nobility of the conception are not implemented mkvie the fullest — neither in drama, which suffers from schematism and straightforward motivations, nor in the film direction that attempts to onlien the plot in a poetic vein.

Alas, the poetics of the movie is based on banal symbols flirting with forty watch online movie free english movie trite metaphors, like a damaged model set of a rural school that is gathering fliirting on the balcony of the luxuriously furnished apartment of the protagonist during his career peak.

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